About Us
A family home, a gallery of today
Founded in 2016 by Jérémy and Anthony Falck, Galerie JAF is a modern and contemporary art gallery based in Bordeaux and Antibes. With a family expertise passed down for three generations, it accompanies collectors, art lovers and enthusiasts in the discovery of works selected for their quality, their uniqueness and their emotional strength.
Specializing in modern and contemporary art, the gallery presents a set of original works signed by major artists of the twentieth century as well as by contemporary creators of international renown. His gaze is particularly on abstraction, the work of matter and the power of gesture, through artists such as Marc Chagall, Bernard Buffet, Gérard Schneider, André Marfaing, or Fabienne Verdier.
Through its exhibition spaces located in the heart of Bordeaux and on the Côte d’Azur, the JAF Gallery offers an accessible and personalized experience, based on advice, expertise and support. Whether to start a collection, enrich an artistic heritage or acquire a favorite work, his team puts its know-how at the service of each project.
The JAF Gallery regularly participates in art fairs and organizes exhibitions throughout the year, offering its visitors the opportunity to discover exceptional works in a warm and elegant setting.
The Founders
Antony Falck (born in October 1985) and Jérémy Falck (born in October 1986) have been managers of the SARL since its creation. Their first names form the name of the house. They work together, as we have a legacy: both know the stock, the artists, the venues, the Clemenceau court and now Antibes.
They did not invent the taste of the object. They received it, then moved it. Where the previous generation spoke of carpets, furniture, antiques, they speak of Buffet, Combas, Venard, Venet, lyrical abstraction and contemporary scene. As for the place, it hasn’t moved: same prestigious address, same demand for quality, another century of images.
Their line is clear. To offer works of real demand, at prices ranging from first purchase to big name. A Max Rovira does not have the rating of a Combas or a Buffet; the gallery assumes this range. Diversity is not a selection defect, it’s the strong point of the catalog.
Bordeaux et Antibes
Two cities, two lights.
Bordeaux, 78-80 cours Georges Clemenceau: the headquarters, the golden triangle, the historic house. This is where the heart of the story lies, following the rhythm of the seasons and the clashes.
Antibes, 24 cours Masséna: after years of trade shows on the Côte d’Azur, the opening was a must. One hundred metres from the Picasso Museum, in the region of Matisse, Renoir and Chagall, the gallery is aimed at an audience who already knows painting. Le Midi is not a holiday showcase; it is a second exhibition workshop, designed for sculptures and canvases that demand the day of the South.
From one bank to another, the catalogue remains the same: a collection held, shown, told.
Our Vision
A place. A vision. A work.
The JAF Gallery believes that a collection is built by looking, not by rushing. She accompanies the acquisition, estimates, appraises with discretion, and offers professionals the rental of works for an office, a hall, an event.
The artists we meet in its rooms draw a coherent territory, from the 20th century to today: Bernard Buffet, Robert Combas, Claude Venard, Fernand Léger, Marc Chagall, Joan Miró, Arman, César, Bernar Venet, André Marfaing, Gérard Schneider, Hans Hartung, Jean Miotte, Olivier Debré, Fabienne Verdier, Erró, Guillaume Cavalier, Foncky Two, Somsak Hanumas, Deepa Khanna Sobti, Christian Lapie, Antoniucci Officieuses… Combas, it has been written, remained for a long time “the darling” of the house. Around him, lyrical abstraction and gesture hold as much space as figuration.
It is not a museum. It is a gallery that assumes commerce—and wants commerce to remain a conversation.
What We Propose
Acquisition advice. Choosing a work means choosing a presence for years. We help to formulate what we are looking for: a first painting, a collection reinforcement, a room for a foundation.
Estimation and expertise. Analysis of the value, the condition, and the place of a piece in an artist’s work—with the necessary caveat: an online notice is not a certificate.
Exhibitions and events. Design, hanging, animation. The gallery is not just a stock; it’s a rhythm of presentations.
Rental. For companies and places that want a living art without immediate purchase.
You can come in, look at it, ask a question. The work is there. The rest is up for discussion.
