« I paint for myself. If others like it, so much the better. »

NOM

Hans Hartung

DATES

Né le 21 septembre 1904 à Leipzig — mort le 7 décembre 1989 à Antibes

NATIONALITÉ

allemande, puis française

DISCIPLINE

lyrical abstraction, informal art

BIOGRAPHIE

A German youth, a French war

Hans Hartung was born in Leipzig, studied philosophy and art history, then painting in Dresden and Leipzig. Very early on, he scratched, stained, abstract. The arrival of Nazism pushed him towards Paris. He joined the Foreign Legion, was wounded and had his leg amputated. Naturalized French after the war, he became one of the pillars of Parisian abstraction, Prix de Venise in 1960.

Claw to Tool

First ink scratches and dark oils, Hartung then invents a real orchestra of tools: brushes, scyllas, pistols, combs, branches. The paintings of the years 1960-1980, often titled with a letter and an number (T 1962-E3), are fields of energy. He settled down in Antibes, in a villa-workshop designed with Anna-Eva Bergman, which became a foundation.

A classic gesture

Hartung died in 1989. His influence on Schneider, Soulanges, European gestural painting is immense. Less « exclusive black » than Marfaing, more graphic than Debré, he made of the sign a measured storm.

Oeuvres les plus connues

T 1949-5 ; toiles griffées des années 1950 ; T 1962-E3 ; grandes toiles au pistolet des années 1960 ; P 1960-39 ; œuvres de la Fondation Hartung-Bergman ; lithographies ; toiles d’Antibes des années 1980 ; compositions « T » numérotées ; encres de jeunesse.